Viewers must get in touch with their inner child to fall for Belle's eventual love for Beast. The film seems somewhat aware of this, casting an ambiguous hue on its happily-ever-after conclusion.
What are people saying?
What are critics saying?
Christian Science Monitor by David Sterritt
The timeless fairy tale about a young woman who agrees to dwell with a mysterious monster, as interpreted in 1946 by one of cinema's most brilliant visual stylists and mythmakers.
Dallas Observer by Jean Oppenheimer
So enchanting it takes your breath away.
Chicago Tribune by Michael Wilmington
Beautifully remastered and containing Cocteau's long-unseen special prologue and credits -- is as much a feat of feverish delight as it was in the dark days of Vichy and WWII.
Chicago Sun-Times by Roger Ebert
Cocteau, a poet and surrealist, was not making a "children's film" but was adapting a classic French tale that he felt had a special message after the suffering of World War II: Anyone who has an unhappy childhood may grow up to be a Beast.
Portland Oregonian by Shawn Levy
One of the great marvels of the medium, a film that you cannot miss if you hope to be literate in cinema -- or, indeed, if you seek acquaintance with the great works of modern times.