50
The New York Times by Dave Kehr
Working in broad, often melodramatic strokes, Mr. Allouache paints a deeply pessimistic portrait of his native country.
What are people saying?
What are critics saying?
50
First hour is an often gripping look at the realities of modern Islam ("You can do anything you want, as long as it's not in public," says a soldier's wife), before silliness takes over.
80
The Hollywood Reporter by Frank Scheck
Ultimately a powerful portrait of the sort of apocalyptic culture clash that is resulting in an increasingly dangerous and fragmented world.
70
Allouache's script is so packed with incident that the characters have little time for debate, but the tension between fundamentalist and modern morality is woven into the action.
70
Achieves what Hollywood never quite gets right: a tense and timely thriller that also serves as a political and a moral allegory.
40
Village Voice by Laura Sinagra
It's too bad that Allouache's insurgent Islamists, into whose clutches Yasmine falls for a time, come off like Indiana Jones villains.
50
A melodramatic import from Algeria, is so relevant in this age of global terrorism, it's a shame it isn't much better.