The New York Times by A.O. Scott
It is a rigorously honest movie about the difficulties of being honest, a film that tries to be truthful about the slipperiness of truth.
✭ ✭ ✭ ✭ ✭ Read critic reviews
Iran, France · 2011
Rated PG-13 · 2h 3m
Director Asghar Farhadi
Starring Leila Hatami, Payman Maadi, Shahab Hosseini, Sareh Bayat
Genre Drama
Please login to add films to your watchlist.
Simin wants to leave Iran to give her daughter, Termeh, a different kind of life outside the country. But Nader, Termeh’s father, refuses to leave his ailing father behind. Simin files for divorce, which Nader is willing to grant, but he’s unwilling to allow his daughter to emigrate. And these are only the beginning of the family’s moral quandaries.
The New York Times by A.O. Scott
It is a rigorously honest movie about the difficulties of being honest, a film that tries to be truthful about the slipperiness of truth.
Sophisticated and universal yet deeply intimate, A Separation is an exquisitely conceived family drama that has the coiled power of a top-notch thriller.
It's a frantic microcosm of life itself.
What's fascinating is how the various issues - religious or practical - are played out in these two quite different families, yet always come down to irreconcilable differences between rebellious women and their stiff-necked, controlling men.
Wall Street Journal by Joe Morgenstern
The members of the cast represent ensemble, naturalistic acting at its finest.
New York Daily News by Joe Neumaier
Together and apart, Hatami and Maadi are magnetic. Hatami, a star in Iranian cinema, lets us see Simin's intelligence and defiant sense of self-worth often with nothing more than a gesture.
The drama it might remind you most of, oddly enough, is "Six Degrees of Separation," also about the snowballing connections between unlikely people. And as in that urban clash, the bedrock of it all is social responsibility, ever crumbling and rebuilding. A total triumph.
Slant Magazine by Nick Schager
Barriers both transparent and persistently present encase the characters of A Separation, constricting them in ways social, cultural, religious, familial, and emotional.
Rolling Stone by Peter Travers
A Separation is a landmark film. No way will you be able to get it out of your head.
Beyond the impeccable performances and direction, it's foremost an exceptional piece of screenwriting, so finely wrought that the drama seems guided by an invisible hand.
Close your eyes. Open your heart.
A chance encounter between a salesman and a hitman leads to an unlikely friendship.
Get Ready for Emotional Atyachar
A woman vanishes during a vacation with friends, causing them to blame each other for the disappearance.
The young wife of an aging pastor falls in love with his son amidst the horror of a merciless witch hunt in 17th-century Denmark.
A novelist investigates the apparent suicide of a Marilyn Monroe look-alike.
Is the law always right?
A journalist tries to balance marriage and motherhood while researching college women who work as prostitutes to pay their tuition.
With every mystery comes another, and another, and another...
Two parts: a married film director travels to a new town and falls in love with a young painter一twice.
Emad and Rana move into a new flat, but an incident with the previous tenant dramatically changes their life.
Somaieh, the youngest daughter of a poor family, is getting married. But as the wedding date draws closer, it seems that the groom may not be what he appears.
An actress ponders her relationship with a married man.
Detective Dee is back to investigate strange and magical events in Loyang.
A Separation is beautiful and heartbreaking. The film relies heavily on the script and performances to come off as natural and human. Asghar Farhadi succeeded in telling a story that is both intensely personal and universal. A Separation can be a tough watch at certain points, but the film will stay with you for a long time.